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		<title>The Goblin of Fear: Imaginary Anxiety Glutton</title>
		<link>https://oshawapianovocals.com/imaginary-anxiety-glutton/</link>
		
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		<pubDate>Tue, 22 Feb 2022 15:02:00 +0000</pubDate>
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					<description><![CDATA[<p>I felt alone on that stage despite the large orchestra, the full-house, friends in the audience, I just felt horribly alone on stage. </p>
<p>The post <a href="https://oshawapianovocals.com/imaginary-anxiety-glutton/">The Goblin of Fear: Imaginary Anxiety Glutton</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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							Kristine Dandavino						</h4>
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													<span class="elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-custom">
										February 22, 2022					</span>
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					<h2 class="elementor-heading-title elementor-size-default">The Goblin of Fear: Imaginary Anxiety Glutton</h2>				</div>
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									<p>For most of my formative years, I never had to deal with performance anxiety. For this, I am grateful.  Performance anxiety reared its ugly face, a few years ago, after years of performing, teaching others to cope with their performance anxiety, when I least expected it. That evening, I could barely move, and had the stage manager not pushed me to go on stage, I think I would still be waiting near the stage entrance. Once the lights hit my face, I was fine, and the performance went very well. For an instant, I knew that I had to find a better coping mechanism to be able to perform the following night. When I got home, I reflected on the evening and challenged my fear. Why did I freeze? The answer was simple: I felt alone on that stage despite the large orchestra, the full house, and friends in the audience, I just felt horribly alone on stage. Did I mention we were performing to a full house? I felt alone. Weirdest feeling ever.</p><p>The next morning, as I stared at my gig bag, I reflected on a time when I helped a young student play piano on stage. I just sat beside them, while they played, and they performed quite well. That student just needed the comfort of knowing they were not alone. A grand piano on a stage can be quite intimidating to a 6-year-old. Then, out of nowhere, I remembered that imagination was our best friend in coping with anxiety. What could I possibly visualize to help me cope? Then, out of nowhere, I saw this little Goblin, and thought “That’s it, I will go on stage with The Goblin of Fear”. I created this story, where the Goblin loves to eat fear, and he would fit in the palm of my hand, and anytime I would be scared, he would be a little glutton and eat it up. I told nobody about The Goblin of Fear. Until, this year, I asked artist Dani Crosby to design The Goblin of Fear. Dani’s work has always inspired me, and I knew Dani could create this image. When I received the first draft of the image, I froze. Somehow, Dani had designed this image exactly, how I had imagined The Goblin of Fear. With tears in my eyes, I thanked Dani and felt grateful for such a colourful image of what I had seen for years.</p><p>The Goblin of Fear now has a permanent spot in my studio. It took months before I introduced him to my students, most did not notice this odd-looking creature on the wall. Which is quite hilarious. I was certain that he was obvious. With time, I told students, that The Goblin of Fear was hungry, and even though I still struggle with some anxiety, he is starving, and he wants to eat more. So, my students would say, “Can he come with me to my audition? I am really scared.”</p><p>Dear readers, I encourage you to spend time with your imagination, it is a safe place to discover beautiful images, sounds, and caring voices, among the self-doubt, self-criticism, and negative self-talk. Most recently, I was practicing scales, and I looked at The Goblin of Fear and laughed: the piano was not my enemy, I was my own tensed enemy. I took a deep breath, and suddenly, the rapid scales were easier. Within seconds, I went from hating scales to enjoying the elasticity of my muscles. Finally, our imagination can “serve as a channel for mental clarity and freedom.” (Dixon, 2020, <a href="https://www.psychologytoday.com/ca/blog/the-flourishing-family/202006/harnessing-the-power-imagination">Harnessing The Power of Imagination</a>)</p><p>By Kristine Dandavino<br /><br /></p>								</div>
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		<p>The post <a href="https://oshawapianovocals.com/imaginary-anxiety-glutton/">The Goblin of Fear: Imaginary Anxiety Glutton</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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		<title>Body Awareness: The Ultimate Teacher</title>
		<link>https://oshawapianovocals.com/body-awareness-the-ultimate-teacher/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 15 Feb 2022 11:31:00 +0000</pubDate>
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					<description><![CDATA[<p>Despite always having large hands, something snapped. I heard and felt it, yet I kept playing. After my lesson, I was so angry, I went to practice another two hours, lacking awareness of the burning pain in my left hand.</p>
<p>The post <a href="https://oshawapianovocals.com/body-awareness-the-ultimate-teacher/">Body Awareness: The Ultimate Teacher</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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							Kristine Dandavino						</h4>
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										February 15, 2022					</span>
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					<h2 class="elementor-heading-title elementor-size-default">Body Awareness: The Ultimate Teacher</h2>				</div>
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									<p class="">When I was a third-year piano student, at the University of Ottawa, I ruptured 8 muscles in my left hand due to lack of body awareness. When did my injury occur? During my piano lesson, my professor kept asking me to do the same &#8216;stretch&#8217; and &#8216;leap.&#8217; Despite always having large hands, something snapped. I heard and felt it, yet I kept playing. After my lesson, I was so angry, I went to practice another two hours, lacking awareness of the burning pain in my left hand.</p><p class="">The next morning, I noticed that my fingers were &#8216;limp&#8217; for a lack of better word. I went to the campus urgent care clinic. The doctor told me that I had to go to physiotherapy, and when &#8216;cleared&#8217; to practice with my left hand, I would have to start practicing 30 seconds per day, and slowly increase to 45 seconds, 60 seconds, etc&#8230; He warned me that if this injury did not heal, I could forget playing piano, let alone earn a living as a musician.</p><p class="">Off I went, walking to the campus physiotherapy clinic. I was going to prove to that doctor I was going to recover faster than anyone else. 6 months? Nah, I was going to get better in 6 days. Ego? Big yup. On that day, I started physiotherapy beside several football players who started to tease me for my injured fingers and the tears started rolling down my face. My physiotherapist went to talk to them. Whatever she told them, their faces changed. One guy said, “Sorry. It must hurt a lot. Let’s get better together.”</p><p class="">They had my back, and we would all scream together when our exercises hurt, or we were frustrated with the long process of healing. Most of them were working on large leg muscles, while I was doing pinky fingers stretches. Ultimately, paraffin treatments helped me heal faster. They would dip my hand in paraffin covered by two towels.</p><p class="">When I was allowed, to go practice, I remember looking at my watch, thinking “What the hell can, I practice for 30 seconds?” It took me 30 minutes, to select the passage that I wanted to practice. Then, the knocks started, “You’re not supposed to practice.” Or, “Get out of the studio, you are not even playing.” Or ,“You’ve been there for 1 hour, and you are staring at the keys.”</p><p class="">Until today, I haven’t shared with anyone what I did in the studio, when I was not playing. I worked on my posture, I worked on sitting at the piano, and dealing with my anger towards Brahms. It was not Brahms that injured my hand. I injured my hand. Why? I was annoyed at my professor, and rather than say, “I can’t handle the criticism right now, I am doing the best I can.” I took it out on my hand. Had I been confident enough to communicate my boundaries, I might have been in &#8216;trouble&#8217; with my prof, however, I would have prevented this injury.</p><p class="">When I became a piano/voice teacher, I made sure that all my students knew that pain in playing/singing was not normal, and I would always pay attention. However, the ultimate responsibility is on them. They need to tell me if they feel tension before it leads to pain/injury. More than ever, we are living in a world that lacks self-awareness. We speak about self-love and self-care, yet we need to be teaching self-awareness.</p><p class="">Years ago, I taught only one lesson to an adult voice student. After 15 minutes, the student said, “Thank you for teaching me. I won’t be able to take lessons for a while. I just realized how much pain I feel in my knee. My doctor is right. I must focus on my body. I had no clue how much it hurt, until I was here.”  The student asked me if I was a &#8216;healer.&#8217; I said, “Not really, I am just teaching you to be aware of your body.” I have had countless lessons where students realized the physical and/or emotional pain they were experiencing. On a first lesson, it is not from playing/singing. It is from lack of body awareness. There cannot be mental wellness, without physical awareness.</p><p class="">We owe it to our students, to teach more than notes, style, and technique. Music lessons are more than notes.</p><p>By Kristine Dandavino</p>								</div>
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		<p>The post <a href="https://oshawapianovocals.com/body-awareness-the-ultimate-teacher/">Body Awareness: The Ultimate Teacher</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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		<title>An Anthology of African and African Diaspora Songs: Buy it! Now!</title>
		<link>https://oshawapianovocals.com/an-anthology-of-african-and-african-diaspora-songs-buy-it-now/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Fri, 11 Feb 2022 11:53:00 +0000</pubDate>
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					<description><![CDATA[<p>Glendower knows that when I email him, I am always “desperate” for music that I needed yesterday. If he does not know about it, it does not exist.</p>
<p>The post <a href="https://oshawapianovocals.com/an-anthology-of-african-and-african-diaspora-songs-buy-it-now/">An Anthology of African and African Diaspora Songs: Buy it! Now!</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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										February 11, 2022					</span>
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					<h2 class="elementor-heading-title elementor-size-default">An Anthology of African and African Diaspora Songs:<br>Buy it! Now!</h2>				</div>
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									<p class="">Over the years, there has been a man who has been a constant support in my career: <a href="https://www.classicalvocalrep.com/">Glendower Jones.</a>  I even gave him a nickname: My Music Dealer. Glendower knows that when I email him, I am always &#8216;desperate&#8217; for music that I needed yesterday. If he does not know about it, it does not exist.</p><p class="">This year, for Black History Month, I promised myself I had to do better. I had to learn more about classical black female composers. As per usual, Glendower reassured me that he could provide me with the perfect anthology.</p><p class="">Upon receipt of this 305 — yes, 305! — pages book, I started to play through the songs, and I was overwhelmed by the variety and sheer beauty of these songs. I selected <em>The Sum</em> by Florence Price, for my choir to learn. It is not a choral song. This season we are studying the music of female composers throughout history. Another song, that moved me was <em>I Want to Die While You Love Me</em> by Rosephanye Powell.</p><p class="">This Anthology has songs for everyone, from low voices to high voices. Several songs have high tessitura, which, in my opinion, are ideal for young soprano voices who have not mastered the middle voice. Some are complex. I also like that some are very short. I always appreciated short songs that left us wanting more.  This is a complete anthology, with biographies, translations, IPA. Every single vocal coach, pedagogue, and singer needs to purchase this anthology.</p><p class="">Lastly, I cite, “But perhaps the most important unique feature of An Anthology of African and African Diaspora Songs is that it is intentionally designed to be accessible, attractive, and singable for singers on the high school and college undergraduate levels!! The texts, vocal ranges, and dynamic demands of these songs make them very singable while at the same time presenting musically, textually, and vocally challenging repertory that will be welcomed by both teachers and singers.” (Willis Patterson, p.8, 2020).</p><p class="">Thank you to Glendower Jones for, once again, saving the day, and helping me discover such beautiful music, and poetry. Go buy it. Now!</p><p>By Kristine Dandavino</p>								</div>
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		<p>The post <a href="https://oshawapianovocals.com/an-anthology-of-african-and-african-diaspora-songs-buy-it-now/">An Anthology of African and African Diaspora Songs: Buy it! Now!</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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		<title>The Silence Within The Chaos</title>
		<link>https://oshawapianovocals.com/the-silence-within-the-chaos/</link>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Tue, 08 Feb 2022 11:59:00 +0000</pubDate>
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					<description><![CDATA[<p>For weeks, I have hesitated to start blogging again. What could I possibly write, that hasn’t been written before? Surely, there are pedagogues with richer vocabulary and insight.</p>
<p>The post <a href="https://oshawapianovocals.com/the-silence-within-the-chaos/">The Silence Within The Chaos</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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							Kristine Dandavino						</h4>
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										February 8, 2022					</span>
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					<h2 class="elementor-heading-title elementor-size-default">The Silence Within The Chaos</h2>				</div>
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									<p id="yui_3_17_2_1_1653393606701_180" class="">I haven’t written a blog post in over ten years. My friend Chris Foley has written countless blog posts on his site <a href="https://collaborativepiano.blogspot.com/p/welcome-to-collaborative-piano-blog.html">The Collaborative Piano Blog</a>. Chris’ posts always inspire me to be a better musician, pedagogue, performer and human.</p><p class="">For weeks, I have hesitated to start blogging again. What could I possibly write, that hasn’t been written before? Surely, there are pedagogues with richer vocabulary and insight. Too often, I have found myself stuck in this trap of comparing my skillset with other musicians and feeling <em>un poco </em> less than adequate. Yet, I have worked as a musician for over 30 years in various capacities, and, somehow figured out how to &#8216;survive&#8217; the pandemic financially, physically, and spiritually.</p><p class="">For a moment, I would invite anyone who is feeling &#8216;less than&#8217; because their career is less than they had expected it to be, to pause for a moment. Just a moment, I am not asking you to go into a deep meditative state. For a moment, pause, close your eyes and be at one with the silence/solitude/noise/chaos that might be surrounding you. Take a breath, release this breath, open your eyes, and can you, for a moment, find a moment of gratitude. Anything/anyone.</p><p class="">I’ve made a conscious decision to remove all social media from my phone. The constant bombardment of the negative and sheer ugliness of the perpetual chaos often prevents us from noticing the beautiful moments of life. Case in point, I haven’t noticed that my dog is taking a peaceful nap, after being in a canine tornado. Tim aka The World’s Crankiest Yorkie has been my best friend during this pandemic. More than once, he has taught me to laugh at my shortcomings, reminded me to breathe when a musical phrase is too long, and to go for a walk, when I am about to rip the music apart (I destroy a lot of musical scores, do not do this at home, it is expensive).</p><p class="">When I did this simple exercise, I felt grateful for my computer, my comfortable chair, and my new glasses. Then, without missing a beat, self-doubt came back, “Argh, I don’t know how to insert a picture on this blog post. I suck. This is stupid.” Then, I made the choice to close my eyes again, to take another breath.</p><p class="">As a musician who teaches mindfulness, and practices mindfulness, almost every day, I can tell you one thing: I suck at, it big time. We never truly master anything. We are in a constant learning journey, healing, and growth. Anyone who tells you that they have mastered mindfulness: they are lying! I don’t have to be Chris Foley, I have to be me. I invite you to do the same today. Be you, it is way easier. Now, go practice! (Joke!)</p><p>Kristine Dandavino</p>								</div>
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		<p>The post <a href="https://oshawapianovocals.com/the-silence-within-the-chaos/">The Silence Within The Chaos</a> appeared first on <a href="https://oshawapianovocals.com">Oshawa Piano and Vocal Academy</a>.</p>
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